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Anybody can Konnakol

By Manjunath B C

29 video lessons with included resources

Self Paced Course, Learn whenever wherever.

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Course Description

Konnakol is an integral part of South Indian Classical music A.K.A Carnatic Music system. All the rhythms are composed using these syllables in Carnatic Music. In modern times Konnakol has become a phenomenon in the music world as it has been used widely to discuss and plan rhythms without even the help of any musical instruments. As the title says you don’t need any kind of pre music knowledge to start learning this Basic material. All you need is Interest and Passion.

Course Objectives
  • We shall dive into learning some basic syllables of Konnakol and try to put it into a rhythmic sequence and maybe make our own little compositions. 
  • Also we shall look into how we pronounce, articulate, Modulate these amazing syllables.
  • We shall learn how to exhibit one or two Talas/Rhythmic cycles
  • We can look into learning some traditional compositions
  • Last but not least we shall get a lot of assignments


Course Prerequisites
  • Interest
  • Passion
  • Love towards this art
  • A goal set to make sure you will recite/perform this individually
  • 15-20 minutes a day to practice this art
  • Have a metronome handy while learning
  • Have a book and pen handy while learning


Course Content

Chapter 1

Brief introduction about Konnakol and terminologies

Konnakol is an Indian Traditional Classical Ancient Artform of reciting or orally articulating Carnatic Music Percussion Syllables.

Lessons:

Konnakol and terminologies

Chapter 2

Basic Syllables

See how syllables need to be pronounced with right intonation and dynamics

Lessons:

How to pronounce basic Syllables

Tha Dhi Thom Nam

Tha Tha Dhi Dhi Thom Thom Nam Nam

Tha Tha Tha Tha Dhi Dhi Dhi Dhi Thom Thom Thom Thom Nam Nam Nam Nam

Tha Tha Tha Dhi Dhi Dhi Thom Thom Thom Nam Nam Nam

Tha Dhi Tha Dhi Tha Dhi Thom Nam

Chapter 3

Syllables of two counts or 2 grouping syllables

In any art form phrasing is one of the most important aspect. Try learning how to use these syllables to group into 2.

Lessons:

Syllables of 2 counts or 2 grouping syllables

How to pronounce Syllables

Sequence for two different 2 grouping syllables

Sequence for Three different 2 grouping syllables

Sequence for Four different 2 grouping syllables

Chapter 4

Syllables of three counts or 3 grouping syllables on Rupaka Tala (3/4)

In any art form phrasing is one of the most important aspect. Try learning how to use these syllables to group into 3.

Lessons:

Practice method to get hold of 3 Grouping lessons in different speeds

Demonstrate Rupaka Tala with these syllables

Sequence for two different 3 grouping syllables

Sequence for Three different 3 grouping syllables

Sequence for three different 3 grouping syllables with an ending

Chapter 5

Some traditional lessons

Learn how to combine the syllable grouping with 4 basic syllables.

Lessons:

Sequence in Adi Tala 4 letter exercises

Sequence in Rupaka Tala 6 letter exercises

Sequence in Adi Tala 8 letter exercises

Sequence in Khanda Jathi Eka Tala 10 letter exercises

Chapter 6

Thadiginathom Groupings, Variations, Talas and Jaathis

Jaathis which is also called as Teermana endings can be learnt with your fingertips here.

Lessons:

Explaining 5 types of Thadiginathom with name of Jathis

Explaining Different Talas

Khanda Jathi variations based on syllables Thadiginathom in Khanda Eka

Thishra Jathi variations based on syllables Thadiginathom in Chathurashra Jathi Rupaka Tala

Mishra Jathi variations based on syllables Thadiginathom in Tishra Jathi Triputa Tala

Charthurashra Jathi variations based on syllables Thadiginathom in Chathurashra Jathi Triputa Tala

Sankeera Jathi variations based on syllables Thadiginathom in Khanda Jathi Triputa Tala

Chapter 7

Conclusion

The end of the course

Lessons:

End of the course

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